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Considered software for creative Macs

LeCoqRoti
App icon of LANDR Vocal Bundle

LANDR Vocal Bundle for Mac

VST Plugins

Updated

Download — 447 MB

From the studio

landr vocal plugin bundle free download: overview screenLANDR Vocal Bundle panel 2LANDR Vocal Bundle panel 3LANDR Vocal Bundle panel 4

Compatibility: hosts and architecture

VoxTune, VoxChain, VoxVerb and VoxDeEss load as standard plug-ins across recording, mixing and live performance hosts. The bundle supports both Apple Silicon Native and Intel processors under macOS 12, which keeps the routing simple on a current machine.

Correction: real-time pitch with control

VoxTune operates without perceptible latency while offering control over voice colour and vibrato. It moves from a natural, transparent correction to a stronger tuned effect by adjusting a few parameters, not by swapping algorithms.

Shaping: space and sibilance

VoxVerb adds depth while preserving vocal clarity, and VoxDeEss targets harsh sibilant sounds — the s and sh spikes that pull a listener out of a phrase. Together they clean up the edges and place the voice.

Settings worth visiting first: VoxDeEss and VoxChain

A fresh install leaves every plug-in at its neutral state, which is sensible but not always the most musical. Two places reward a minute of attention before you press record.

In VoxDeEss, the default frequency centre sits around 6.5 kHz — a reasonable starting point for a bright condenser, yet it can nibble at air frequencies on a darker ribbon microphone or a softer voice. Pull the frequency down to 5 kHz and widen the bandwidth slightly: the reduction becomes less obvious and more effective on plosive-adjacent sibilance. The listen button, tucked beside the threshold knob, solos the side-chain so you can sweep the frequency and hear exactly which consonants trigger the gain reduction.

VoxChain loads with EQ first, then compression, then saturation. That order works for a voice that needs taming before colour, but reversing the signal path — moving the saturator before the compressor — often suits a thin or brittle vocal. A touch of harmonic density fed into a modest ratio yields a rounder sustain without pushing the gain as hard. Hold Option while dragging a module to reorder it.

VoxTune scale detection: when a short phrase fools the key guess

The most frequent confusion arrives with VoxTune’s key detection. The plug-in reads incoming audio and guesses the scale, but a short phrase or a melody that hovers around the third can fool it into selecting the relative minor instead of the intended major. When the corrected vocal suddenly pulls notes a semitone flat, open the key menu and set it manually. The difference is immediate.

A second snag concerns latency reporting. VoxTune is designed for real-time use and adds no buffering of its own, but a few hosts misreport its latency to the delay compensation engine when the transport is stopped. The workaround is straightforward: begin playback once before judging alignment. After a single pass, the host recalculates and the timing locks.

On Apple Silicon machines running the plug-ins inside a Rosetta-translated host, VoxVerb’s early-reflection engine occasionally produces a short click on the first note after the transport has been idle. Switching the host to native ARM — if available — removes it entirely. If the host must run under Rosetta, keeping the audio buffer at 256 samples or lower prevents the click from appearing.

GUI scaling and meters: two workflow shifts from the 2025.12 update

Version 2025.12 brought two adjustments that alter daily workflow more than a feature list might suggest. The first is a revised GUI scaling engine: the plug-in windows now respect the system resolution on Retina and Studio Display panels without the slight fuzziness earlier builds showed at non-integer scaling factors. On a 5K screen the type and knob markings stay crisp whether the window is at 100% or 125%.

The second is a recalibration of VoxVerb’s pre-delay range. Earlier versions offered a minimum of 0 ms, which could fuse the direct signal and the first reflection in a way that narrowed the stereo image. The 2025.12 update sets the floor at 5 ms, a small shift that preserves the sense of space even with the knob fully counter-clockwise. Existing presets load with their original values intact, so older sessions do not change unless you re-save them.

Under the hood, the plug-in validation sequence was shortened, which matters most when a DAW rescans the entire library after an update. Validation of the bundle now completes in roughly half the time it took in 2024 builds.

Double-click reset and hidden VoxChain output trim

  • Double-click reset. Every knob across all four plug-ins returns to its default value on a double-click. This extends to the EQ band gains in VoxChain and the mix control in VoxVerb.
  • Output trim in VoxChain. The saturation stage can push the level enough to clip the next plug-in in the chain. The output trim at the far right of the module row — unlabelled, just a small vertical fader — catches it before it leaves the plug-in.
  • VoxVerb width control. Tucked below the decay time, a width parameter narrows the reverb from full stereo to mono. On a dense arrangement, pulling it to about 60% keeps the vocal spacious without blurring the centre image.
  • MIDI triggering in VoxTune. Beyond automatic correction, VoxTune accepts MIDI input for forced pitch mapping. Sending a monophonic melody line from a keyboard track locks the vocal to those exact notes, useful for a vocoder-adjacent effect without any vocoder routing.
  • Preset cross-compatibility. Saving a VoxChain preset also stores the module order, so a favourite signal path you build for one singer transfers whole to the next session without reassembly.

Questions I actually get

Which plug-in handles pitch correction in the bundle?

VoxTune provides real-time pitch correction, with controls for voice colour and vibrato that allow everything from subtle natural adjustment to a more pronounced tuned effect.

What does VoxDeEss do? VoxDeEss reduces harsh sibilant sounds such as s and sh, smoothing the top end of a vocal without dulling the rest of the performance.

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