LeCoqRoti
Version 2.1.0 introduces SuperCabinet, a rethinking of the speaker cabinet module built around Fluid Convolution and a dual IR loader. The result is a more detailed, malleable sense of space and timbre, which gives the entire collection of amplifiers and effects a fresh sonic footing.
Standout features: the jobs they perform
- SuperCabinet with Fluid Convolution: moves beyond static impulse responses, capturing the nonlinear way a speaker responds at different volumes. The dual IR loader lets you blend two cabinets or microphone positions within a single module, shaping the room sound with unusual control.
- 89 amplifiers and 52 cabinets: the core sounds cover guitar and bass across decades of circuit design, from clean American combos to high-gain European heads, each modelled at the component level.
- 79 pedal and rack effects: a chainable suite that now includes PHASE STONE, Reverse Delay, and ModulaVerb. The routing is freely configurable, so the signal path can reflect a real pedalboard or a studio rack in any order.
- Scenes for preset recall: a single preset can store multiple model configurations, letting you switch amplifier, cabinet, and effect states in one gesture without loading a new file. Useful for verse-to-chorus changes or comparing mic placements.
- External cabinet converter: a built-in utility that transforms third-party impulse responses into the TH-U format, so a personally captured cabinet file can sit naturally inside the SuperCabinet environment.
- MIDI control, fully assignable: every parameter can be mapped to a MIDI controller, and the assignments are stored per preset, making the software a viable centrepiece for a live or studio hardware setup.
The standalone application and plug-in versions share the same engine, running natively on both Intel and Apple Silicon Macs. A single installation carries more than a thousand presets, from studio-ready bass tones to layered ambient textures, all of which can be modified and saved as new starting points.
Three other Mac amp simulators often sit on the same shortlist. Neural DSP's Quad Cortex ecosystem leans heavily on capture technology, and while its component-level modelling is precise, the hardware-first approach means the plug-in experience is a companion to a physical unit rather than a self-contained desktop workspace. IK Multimedia AmpliTube 5 offers a vast effects and amplifier catalogue inside a studio-console interface, but its cabinet section lacks the dual IR loader and the dynamic convolution approach that SuperCabinet brings to TH‑U. STL Tones AmpHub updates monthly with new models, which suits players who want a constantly evolving library, though its routing and MIDI implementation feel less open than the assignable matrix TH‑U provides.
Hybrid rig anchor: standalone amp room meets DAW control
Guitarists who record in a hybrid studio setup gain the most, because TH‑U bridges the amp-room and the control-room with equal care. The standalone application, the fully assignable MIDI layer, and the Scenes system make it practical to build a live set around a laptop without a host DAW. Producers who routinely blend multiple cabinet sounds will use the dual IR loader daily: auditioning a dynamic microphone on one cabinet against a ribbon on another, then balancing them inside a single module, replaces a chain of routing that would otherwise require several plug-in instances. Bass players, too, get a dedicated preset bank and a quartet of bass amplifiers that respond to playing dynamics rather than simply thickening the low end. The external cabinet converter suits users who have already captured their own speaker enclosures and want those personal IRs to benefit from the Fluid Convolution engine without leaving the familiar TH‑U environment.
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